The exhibition will open concurrently with New York Gallery Week, a new initiative presenting 50 solo gallery exhibitions and special programming by galleries around New York City, scheduled for May 7 – 10. A schedule will be posted on the gallery's website. Performances of CUSP will take place on Saturday afternoons throughout the course of the show and during the inaugural weekend. and Self as Disappearance at Contemporary Art Center, La Synagogue de Delme, France. Recent exhibitions include Allen Kaprow: YARD at Hauser & Wirth, New York the DeCordova Biennial in Lincoln, Mass. His work has been exhibited and performed at The Whitney Museum in New York, Museum of Contemporary Art Los Angeles, Institute of Contemporary Art Philadelphia, and the Renaissance Society in Chicago. Old house in the woods, watercolor painting of a landscape in the morning, landscape with flowers and grass. Village room inside vector artwork illustration. The MIT Press published a monograph to accompany The Friendliest Black Artist in America, his 2002-2004 traveling survey exhibition. Pen and ink vintage drawn textured by old crumpled paper. He has had solo exhibitions at institutions including the Art Institute of Chicago, the Carpenter Center at Harvard University, the Santa Monica Museum of Art, and Kunsthalle Wien. He currently lives in Lewiston, Maine, where he is a lecturer on theater and rhetoric at Bates College. Most recent book read: Remarks on Color by Thomas Bernhard and Robert Farris Thompson. No theme is paramount except via the hoodoo of time, material and staging. Wall works consist of paintings, several with negro ideas, on pvc and vinyl, drawings on found and discarded paper or inscribed with mayonnaise, bas-reliefs of stuffed animals slathered in peanut butter and hung on the wall or sliced open, filled with vegetable oil and set on the floor. 'Cusp' is a group endurance performance in which a set of performers, one by one, hour by hour, don oversize pajamas, an Obama mask and grip a cup brimming with green ink while standing on a dirt mound attempting to remain perfectly still for 75 minutes. 'Snow Crawl' is a performance video viewed by looking down a mirrored chimney. Pieces were chosen to fit a rickety lattice spliced into a spiral set into a box of powder detergent. The dynamic of any exhibition is the difference between a field of activity, a particular activity in the field and any result stemming from the activity per the animal working the scape, making plans, drawing castles with snout flexed at the heretical, the political, the critical, the magical on the grease of breeze in the mourning air, the tail of the creature coccyx-like almost not a tale at all except for the intention, the goal in every swatted i. The works in the show, dating from the 1990s to the present, range across media including video, sculpture, painting and drawing. This will be Pope.L's second solo show with the gallery and his first in the Chelsea space. Mitchell-Innes & Nash is pleased to announce landscape + object + animal, a solo exhibition of Pope.L in the Chelsea gallery from May 8 through June 19.
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